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Showing posts with label Marvel. Show all posts
Showing posts with label Marvel. Show all posts

Tuesday, May 12, 2015

Dr. Pym or: How I Learned to Stop Worrying and Ride the Marvel Hype Train

Posted by Geek-o-Rama Admin on 2:00 PM

“I’d ask ridiculous questions all the time. Peyton Reed, he just kept saying, ‘Dude, just do it.’ But I’d say, ‘I don’t understand. Does the mask go up this way or this way?’ And there’s a visual effects guy there and I want an answer. They got so tired of my questions: ‘So I don’t understand — If I was just over there, how did I get over here so quick?’ Reed would be like, ‘Cannavale, it’s a superhero movie, dude. Just do it!’ But I’d say, ‘Yeah, but do I have superhuman speed, because I was just three blocks away and now I’m here and I’m not even out of breath. Should I be out of breath?’ He’d be like, ‘Dude, it’s not ‘The Unbearable Lightness of Being.’ It’s just [frick]ing ‘Ant-Man’. Just say the line.’ Then it just became a joke. I had a blast. We laughed so much on that thing.”


Dude, it’s not ‘The Unbearable Lightness of Being.’ It’s just [frick]ing ‘Ant-Man’.

The words above these words come from Ant-Man director Peyton Reed, by way of co-star Bobby Cannavale. Peyton Reed is the 3rd director to be attached to the Ant-Man film, which has been in development hell since before the MCU even started. Peyton Reed’s previous credits include the Jim Carrey turd Yes Man, Bring it On, and Back to the Future: The Ride. In other words, Peyton Reed is a soulless, corporate yes-man who’s integrity only stretches as far as his bank account. This makes him the perfect director for Ant-Man.

A long time ago, in a galaxy far, far away, Edgar Wright had a vision. Edgar Wright imagined an Ant-Man film that adapted the “To Steal An Ant-Man” story arc. Scott Lang, a career criminal desperate for redemption, steals the Ant-Man suit from Hank Pym in a desperate bid to save his daughter Cassie, who is dying from a rare and fatal heart condition.

Initially, Marvel bent over backwards for Edgar Wright to make this film. You know how in Avengers, Hawkeye and Black Widow are founding members of the team? You can thank Edgar Wright for that. Hank Pym and Janet Van Dyne basically have a birthright to the core Avengers roster, but Marvel wrote them out so Edgar could make his precious Ant-Man film.

And then Edgar quits, appearing butt-blasted over “big corporations”. Who did he think he was fucking working for? Yes, Scott Pilgrim was awesome, but it was also a box office bomb. Edgar Wright is an incredibly talented director, with a great eye for what makes comic book movies work. But he’s also a liability. And rather acting like an adult and compromising after 12 years of constant compromise, he did the 21st century equivalent of shitting his pants and then blaming the diaper for not holding it well enough.

Honestly though, maybe Edgar Wright did Marvel a favor. They’ve always been embarrassed by the Ant-Man character, specifically Hank Pym. Dr. Pym’s resume includes creating Ultron, discovering Pym Particles, and founding a superjail located in the N-Zone. None of these facts matter to the pop-culture omniverse, however. His real legacy? Beating his wife. Spider-Man is a troubled teenager, Daredevil is blind, and Ant-Man loves domestic violence.

So sure, Marvel, make Hank Pym old and have Michael Douglas play him. Have Wasp be dead before the film even starts. Why not? Ant-Man sucks, after all. He’s a stupid hero! All he can do is control ants! Ha, what a loser!


At the end of this trailer, Yellowjacket (who is the villain for some presumably stupid reason) cowers in fear, shielding himself from Thomas the Tank Engine. This is a metaphor for how Marvel plans to move forward with their cinematic universe. Yellowjacket represents Edgar Wright, Joss Whedon, or anyone else who tries to slow them down with independent thought. Thomas the Tank Engine represents the sheer power of corporate greed, and the fact that not even God himself will slow Marvel down.

They’re just getting started.


Friday, May 8, 2015

Secret Wars

Posted by Geek-o-Rama Admin on 5:00 PM


This is it! This week, Marvel finally blew up every universe! After years of pretending to have any remaining integrity, Stan Lee’s cryogenic head finally said yes to deleting the entire Marvel omniverse and replacing it with a planet that prints money.

Remember Earth-616, home of cultural milestones The Night Gwen Stacy Died and Days of Future Past? It’s gone! Dead! Blown up by The Beyonders and The Illuminati. And fans of the Ultimate Marvel Universe, don’t worry! It’s life support was finally cut off, and Miles Morales has been safely transplanted to something more profitable.

So what rises from the ashes of every Marvel universe being deleted at once? Battleworld! A patchwork planet of popular Marvel events, basically. There’s a Civil War continent, an Age of Ultron continent, and four separate Manhattan islands.

Really though this was a good idea, Earth-616 was old yeller and Marvel finally grew the balls to drag it out back and shoot it in the head. And don’t get me started on the Ultimate Universe, considering it was supposed to end during Loeb’s crime against humanity Ultimatum.

Basically, Marvel made their comic books even easier for inexperienced consumers to buy, because they were apparently too complex for Joe Everyman. Well now every comic will have a giant #1 on it, and none of it matters. Let’s party!

Cut myself open wide
Reach inside
Help yourself
To all I have to give
And then you help yourself again
And then complain that
You didn't like the way
I put the knife in wrong
You didn't like the way
My blood spilled on your brand new floor
- Mike Portnoy, former Dream Theater drummer/current Twisted Sister drummer



Thursday, April 30, 2015

Marvel's Daredevil

Posted by Geek-o-Rama Admin on 2:00 PM


“Marvel’s Daredevil” is a live action series that follows the journey of attorney Matt Murdock, who in a tragic accident was blinded as a boy but imbued with extraordinary senses. Murdock sets up practice in his old neighborhood of Hell’s Kitchen, New York where he now fights against injustice as a respected lawyer by day and masked vigilante at night.

So, decades after Daredevil got a major motion picture with a well deserved lackluster response, the horned avatar of justice is back for another round.  The progeny of Battlin’ Jack Murdock is not taking a fall this time.  The new series features an all star cast including Charlie Cox in the lead role, as well as Eldon Henson, Vincent D’Onofrio, and Rosario Dawson to name but a few.  The series kicks off with a bang giving you a glimpse into the accident that bestows Matt with his amazing gifts.  A few minutes later we are treated to an action filled fight scene where the man who will become the Devil of Hell’s Kitchen takes down some human traffickers. The first costume seems a little lame at first but give it time, it will grown on you.

Marvel’s Daredevil however, is not all fisticuffs and spinning kicks.  This is a story that moves by inches rather than miles taking the time to develop each of the characters fully giving you detailed development of Karen, Foggy, Matt, as well as Ben Urich one of the Marvel mainstays.

Even Daredevil’s nemesis gets fine treatment with a full back story and a show stealing portrayal via D’Onofrio.  Wilson Fisk is a complex man driven by a desire to reform Hell’s Kitchen even if he has to destroy it first.  The first season builds up to an eventual climactic struggle between the two self styled saviors of Hell’s Kitchen.  Make no mistake this is a drama in the fine style of Marvel Studios, bringing a barely considered property into the limelight.  Miss this new series at your own risk.  It is well worth your time.

To check out this great series go to Netflix.  For additional details about Daredevil and other great offerings from Marvel visit Marvel Studios.


Tuesday, April 28, 2015

Marvel's Daredevil

Posted by Geek-o-Rama Admin on 2:00 PM


"Marvel's Daredevil" is a live action series that follows the journey of attorney Matt Murdock, who in a tragic accident was blinded as a boy but imbued with extraordinary senses. Murdock sets up practice in his old neighborhood of Hell's Kitchen, New York where he now fights against injustice as a respected lawyer by day and masked vigilante at night.

There was a lot of expectation, and probably a lot of apprehension, that floated around the internet when the Daredevil series was announced. The spectre of the Ben Affleck debacle from 2001 hung over the fandom. The internet has a long memory. Along with that, while Marvel has been putting out movie after movie that has gained fan adoration, DC has dominated the television scene with shows like Arrow and The Flash (among others).

Marvel’s aggressive teaser and trailer campaign left a lot of fans with questions - and a lot of fans (myself included) looking forward to actually sitting down and watching the show.

The show starts off pretty hard with something the movies have not done: it’s shockingly violent. There’s blood and broken bones throughout the show. While we can’t say the movies are tame, this series makes them seem it where violence is concerned. In a show like Daredevil - based on a series known for being dark and gritty - the violence seems more necessary than it is purely gratuitous.

Anyone who has looked up anything about the show so far has probably heard critics and fans alike gushing about the fight choreography, and I will not disagree - the fight choreography is stunning. The now-famous “hallway scene” is arguably the best fight scene in a TV show that has happened in a long, long time. There’s realism to the fights. No one’s wounds are magically healed in one episode. You can see people - Matt especially - get fatigued. My one nitpicky comment is that there’s a distinct overuse of one acrobatic move, taking it from “signature” to “overdone,” but that’s really my only complaint there.

Of course, if you have a weak stomach for violence, you can expect to spend a decent amount of time covering your face. There are no pulled punches in this show (pun intended).

The show doesn’t just focus on Daredevil as a vigilante - it also shows Matt’s struggles to become a successful lawyer without compromising his morals. While the law stuff often seems to pale in comparison, or take a back seat, to the vigilante action, the two things are tied in together. One wouldn’t go the way it does without the other. Being a lawyer by day is a huge part of what makes Matt the character he is, so the tie-ins are much appreciated by this longtime fan (and law student). The show does a good job of not making the law parts too boring or inaccessible to people who aren’t familiar with how law works, without being too Law And Order about it.

For people unfamiliar with Matt’s story, the show does a good job of introducing him and his world. It also does a good job of throwing in connections to the larger Marvel cinematic universe. Anyone who has seen the Marvel movies will catch the references. If Daredevil is a watcher’s introduction to the MCU, that’s all right too - this stands well enough on its own. No outside knowledge is required. Longtime DD comic fans, like me, will appreciate the existing character lineup, and the nods to those who will hopefully come later. There are easter eggs throughout the series for fans to find.

The show does obviously take from specific comic influences, but this is a new story. This is a more modern look at Daredevil, from a costume redesign, to the changing of characters and tropes. There are surprises and twists that no one sees coming, though I haven’t decided yet if I appreciate all of them. But that’s the way a good reimagining should be, isn’t it?

All of the characters in the series are fleshed out. There are no damsels in distress - something that is rare for the superhero genre. There is a multiracial cast - something else that is rare for the genre. Everyone has ups and downs. Everyone, Matt included, has flaws. The big villain is someone who seems very human. No one comes across as a caricature, not even the old blind ninja, Stick, who trains young Matt. The writing, overall, is amazing.

There are some things that I had a hard time with, as a hardcore comics fan. Some things change and I don’t know that they were for the better. The way Matt’s power set is explained, and even utilized, doesn’t make as much sense as it seems to in the written medium. He seems to lack weaknesses in his powers (though he has very human weaknesses), and as a watcher I was a little confused and once or twice frustrated by that. Still, my complaints here are minimal. I didn’t find this show lacking. I found it gripping, and gut wrenching, and satisfyingly dark, with bright touches of humor thrown in for a countermeasure.

I can’t wait to see what they do with the next season, and with the tie-in series that will be joining DD on Netflix in the next year and beyond.

Daredevil can be watched exclusively on Netflix, right over here, via computer, smartphone, tablet, or game console.



Friday, April 24, 2015

The Avengers: Age of Ultron

Posted by Geek-o-Rama Admin on 11:00 AM


The movie jumps straight into the action, opening with a full-blown assault on Baron Strucker's Hydra stronghold to recapture Loki's Sceptre. That money shot from the trailer, with the Can-Can Line of Avengers leaping through the snow? That's about five minutes into the film, and the pace is pretty much set from there.

Another scene we saw a while ago was the party scene where everyone tries to pick up Mjolnir. What seemed like a bit of light fun before Ultron revealed himself was actually more important than expected in the grand scheme of things. The one problem with this scene; where are the girls? Pepper Pots and Jane Foster are both conspicuously absent, with some fairly weak excuses from Tony and Thor. Oh well. You can't have everyone I suppose.

The relationship between Widow and Hulk has developed to an interesting level. Natasha is responsible for giving The Hulk his "lullaby", but could there be more than that, or as Bruce says, does she just like to flirt?

Speaking of Black Widow, we get to learn more about her and the Red Room, which adds a touch of tragic depth to her. Hawkeye is also epically good at keeping secrets. Let's just say that farm The Avengers end up at is hiding a BIG secret.

We start to see the cracks between Captain America and Iron Man, as Tony forges ahead with doing what he thinks is necessary to bring about a safe and secure world. Cap, it seems, would rather they do things the old fashioned way. I'm not sure how this will feed in to Civil War, and they seemed rather amicable at the close of the film.

Both Widow's backstory and the impetus for the tension between Cap and Tony come from Scarlet Witch's mind powers. Thor also succumbs, but his vision is more revelatory, and is clearly our link to the Infinity War story.

The other vision I should talk about is the android one. Vision is spectacularly realised and he just looks so cool. His origin is not what some early leaked biography text implied, and is closer to his classic origin. That said, the way he was made has me fearing for his safety come the Infinity War.

Now there were a couple of rumours about this movie that is like to address. First up, that someone will die. This is true. It's not who I was expecting, but it was beautifully heroic. Second, that there was no post-credit scene. This is also true. Of course there is a mid-credit scene, so make sure you stay for that. And what a scene! It was no longer than 15 seconds and contained only five words of dialogue, but man! Never have five words been so loaded with promise since "Star Wars prequel trilogy announced". I'm sure this'll end better though.



Thursday, February 19, 2015

Star Wars 2

Posted by Geek-o-Rama Admin on 2:00 PM

THE GREATEST SPACE ADVENTURE OF ALL TIME CONTINUES! The Rebel assault on Cymoon 1 continues! Luke Skywalker – cornered by Darth Vader! Han, Leia, and the others – trapped!

I heard that this series was supposed to be canon, but so far I’m seeing some things that make me kind of skeptical.  Having infiltrated an Imperial factory on Cymoon 1, Han, Luke and Leia are now trying to make their escape, not having counted on Darth Vader showing up with reinforcements.  Luke breaks off to go confront Vader for the death of Obi-Wan while Han and Leia create an exit for the slaves they discovered at the facility.  Meanwhile C-3PO is having troubles of his own as scavengers are quickly dismantling the Millennium Falcon which the Rebels hid in a junkyard.  It would seem that things are looking pretty grim for our heroes.

This is only the second issue in and things are already heating up.  You’ve got Stormtroopers shooting up the place, AT-AT’s on the loose and a lightsaber duel for the ages.  And that right there is what has me scratching my head.  Set between A New Hope and The Empire Strikes Back, this story comes shortly after the Rebels blew up the Death Star.  Now, if I recall correctly, Luke first confronted Darth Vader in Cloud City, so if that’s the case, how is Luke fighting him now?  His first confrontation was supposed to be a part of his Jedi training, but this battle kind of felt a little forced (no pun intended) just to get the series going.  Hopefully there’s an explanation for this in the upcoming issues.  Another thing that bothered me a bit was some of the dialogue.  It seemed to me like Jason Aaron just re-hashed some of the words/dialogue from the movies and threw it in to make everything cohesive.  It’s one thing to do something like that if a character, or story is making fun of itself, but it felt like it was thrown in there.  All of those negatives aside, the series is shaping up good.  Lots of action and the classic cast of characters are all accounted for.  It’s the continuation of a great new series for Star Wars fans young and old.

The Force is definitely strong with this series as Jason Aaron manages to capture the heart of what made the movies so great, despite a few quirks. This series only looks to get even better as more issues come down the pipeline and with the Darth Vader and Princess Leia series coming out to supplement this one, this series is going to be great. So, if you haven’t already, pick up this issue as well as the first one and transport yourself back to a galaxy far, far away. For more info on where to find this issue, visit the Marvel website, or the Marvel Facebook page.


Geek-o-Rama received a copy of this book for the purpose of this review. All thoughts, comments and opinions belong to the individual reviewer.

Saturday, February 14, 2015

Top 100 Comics of 2014 - #5-1

Posted by Geek-o-Rama Admin on 11:00 AM

Drumroll for the Top Five Comics of 2014.....












Tuesday, February 3, 2015

Top 100 Comics of 2014 - #60-56

Posted by Geek-o-Rama Admin on 11:00 AM











Saturday, January 31, 2015

Top 100 Comics of 2014 - #70-66

Posted by Geek-o-Rama Admin on 11:00 AM














Tuesday, January 27, 2015

Top 100 Comics of 2014 - #85-81

Posted by Geek-o-Rama Admin on 2:00 PM












Sunday, January 25, 2015

Top 100 Comics of 2014 - #90-86

Posted by Geek-o-Rama Admin on 9:00 AM












Monday, January 19, 2015

Top 100 Comics of 2014 - #100-96

Posted by Geek-o-Rama Admin on 12:00 PM







Tuesday, November 18, 2014

All-New Captain America 1

Posted by Geek-o-Rama Admin on 11:00 AM

This is it! The all-new, Spy-Fi, highflying adventures of Sam Wilson Captain America and Nomad begin here! • Hydra is growing, the terrorist band have has infiltrated the Marvel Universe completely! But what is their ultimate goal? • United by Hydra, Cap’s rogue’s gallery gathers to take down the new untested Captain America and Nomad!

Brand new Cap, brand new ball game.  Sam Wilson, The Falcon has now officially taken over the role of the American symbol.  When Steve Rogers lost the effects of the super soldier serum, his age literally caught up with him which meant he could no longer carry on as Captain America.  It was then agreed that Captain America was more than just a person in a costume, but something to believe in.  Speculation then ensued as to who would take over the mantle, but Steve already had a name in mind.  The Falcon no more, Sam Wilson stands proud as the new Captain America, however, he’s quickly finding out that it’s not as easy as Steve made it look.

To my knowledge, Sam has always been second tier to Captain America, always coming in with the assists, but never really taking center stage.  Now, it’s his chance to shine, but there’s definitely going to be a bit of a learning curve.  I like this series because it’s kind of like the introduction of a brand new character yet at the same time, it really isn’t.  If you’ve been with Marvel long enough, you’d know The Falcon and Captain America, or at least know of them.  So now, it’s both characters rolled into one.  You’ve got Sam’s modern day mentality, and wings, mixed in with the clout, and shield, that comes with the name of Captain America.  We get to see Sam taking on Hydra agents right off the bat, so we’re already in familiar Cap territory here.  So Sam’s flying around, dodging bullets and punching out guys and then he busts out the shield and he has no idea how Steve was able to get the thing to ricochet like it should.  This is unfamiliar terrain for Sam and now we get to see him make mistakes and figure things out in order to be the best Captain America he can be.  I know I’m looking forward to it.

Rick Remender and Stuart Immonen have given us a whole new outlook on a timeless character. Sure, Steve Rogers is still there to play mentor, but it’s great to see fresh blood in the costume, albeit someone who’s been fighting right along with Steve for quite some time. If you’ve ever been curious about Captain America, now’s the time to jump on the band wagon, with the All-New Captain America #1. Pick up your copy today. For more info on where to find this issue, visit the Marvel website, or the Marvel Facebook page.


Superior Iron Man 1

Posted by Geek-o-Rama Admin on 8:00 AM

BE SUPERIOR! NEW CREATIVE TEAM TOM (INJUSTICE: GODS AMONG US/EARTH 2) Taylor AND YILDIRAY (SUPERGIRL) ÇINAR START AN ALL-NEW SERIES SPINNING OUT OF AXIS! • How much would you pay for perfection, beauty…immortality? TONY STARK is going to find out. • The AXIS EFFECT has changed IRON MAN • Now HE’S going to change the WORLD…at a terrible cost.

As a result of taking on Red Onslaught, Iron Man has been changed for the worse.  Sure he may seem like the same old Tony Stark, but his arrogance has gone through the roof.  So much so, that he doesn’t even take the time to physically be in the fights anymore, instead doing it all remotely from the side of a pool.  Tony had always thought himself to be a step above the other heroes, even going so far as to develop defenses unbeknownst to even Captain America, so when he conceives of the idea of perfecting the human race, you just know nothing good can come from it.  It all stems from a downloadable app that, when activated, gives each user access to the newest version of Extremis which then allows them to change themselves into whatever their ideal selves might be.  A lofty idea, but one that could have dangerous repercussions in the long run.

Seeing that this is an inhibition free Iron Man (and not some mind swap garbage) makes this book really enjoyable.  This is Tony Stark basically telling it like it is and not really caring what anyone thinks.  He’s free of all of the responsibility and guilt that comes with doing the right thing, now he can focus on projects he’d only gleaned upon before burying them into some dark recess of his mind.  This new Extremis 3.0 is one such creation.  Tony is giving the people of San Francisco the means to shed their own insecurities and finally just live the way they want to.  After his stint of introspection in the previous volume of the series, it’s cool to see Iron Man go in the whole “eff it” direction, not that I’m condoning how he’s handling life at the moment, but it gives the series a new perspective.  I’m really looking forward to what’s coming down the line.

This is definitely a Superior book that I can get behind (unlike that last travesty) and even if haven’t tried Iron Man before, you should be too. Tom Taylor shines a rose-colored light on ‘ol shellhead and Yildiray Cinar brings out the douchebaggery that is now Tony Stark. This may not be the best version of Iron Man to start with, but it’s certainly a great story to. So, be sure to pick up your copy of Superior Iron Man #1, Extremis 3.0 not required. For more info on where to find this issue, visit the Marvel website, or the Marvel Facebook page.


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