Story: Steve
Niles
Art: Christopher
Mitten
Colors: Michelle
Madsen
Letters: Nate
Piekos
Cover: Justin
Ericjson
Being my introduction to the Criminal Macabre series, issue #1 of The Third Child left the following impressions: Cal McDonald has
lived through more horrors than my mind can imagine, being in a world with
monsters and demons running abound calls for extremely cautious living, and the
general population of this particular world are very, very stupid.
Starting with an internal monologue about the terrors both
around and within humanity, The Third
Child sets a stage for a very unapologetic and gruesome story about a
looming threat that grows from within the supernatural community. A truce
amongst the monsters (think vampires, werewolves, and “everything in between”)
causes Cal and his friends/partners -- a ghoul named Mo’lock, a re-animated
monster named Adam, and a human friend -- to compose and gather themselves to
spring into action.
It seems like the group is revisiting one of their favorite
pastimes, but I just cannot help but feel like the entire situation is forced.
Cal hates who he’s become -- through some ironic twist, he’s now partly the
very thing he hunts: a monster (not metaphorically, quite literally a monster, though I’m sure the metaphor applies as well).
Prone to fits of rage, his companions see him as an uneasy ally, but also as an
old friend, and also as the last defense for humanity. And I would
be sold in this plotline, were it not for the surprisingly dumb general
population, a group which almost necessitates action on behalf of our group of
hunters.
You tell me: if you were walking in a dimly lit park, in the
middle of the night, and saw a scaly, bulbous baby with a demon tail
and no pupils, would you stop to
chat? And if you lived in a world notorious for its population of evil
demons/vampires/werewolves/babies/etc.,
would you go out and buy a Ouija board
as a party game?
Perhaps I’m being a little tough on this issue, but I feel a
little taken out of a plot that begins with rather heavy subject matter and
then ends with a pretty common trope (used also to bring an unexpected twist that may or may not have
been actually unexpected. I’ll be honest, I didn't see it coming, but this
is also the first issue I've read).
At least the art is interesting to look at, and if you like
seeing a lot of red with your blacks, greys, and browns in the color scheme,
you may think it interesting as well. I wish I could say the same for the
plotline.
Photo Credit to DarkHorse.com. For more
information on Criminal Macabre and other Dark Horse publications, visit their
website at DarkHorse.com.
Geek-o-Rama received a copy of this book for the purpose of this review. All thoughts, comments and opinions are those of the individual reviewer.
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